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Dance theatre Druck Punkt 2020

The dance theatre piece under the direction of Anja-Katharina Bichler and Philipp Moser deals with various aspects of pressure and in particular with positive as well as negative effects of social pressure in our society.

People are constantly confronted with expectations. Expectations that are placed on us, but also expectations that we have of ourselves. This accompanies us through our everyday life and influences, consciously or unconsciously, our actions and being. Often we have to cross our own boundaries in order to counteract and withstand this pressure.

In the piece "DruckPunkt" a unique approach is chosen. In addition to the dancers of the Urban Dance Crew "Remix", an actor plays the role of the linguistic bridge to the audience.  As a contrast to classical stage dance, urban dance styles such as Breaking, House, Popping, Locking and Social Dances, which were created far away from theatrical stages on the streets of America, are used as stylistic devices. Patrick Gutensohn, a music producer from the Austrian hip hop scene, is part of the team.

Director and Choreographer Anja-Katharina Bichler and Philipp Moser

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Dance theatre Druck Punkt 2020 - Kufstein

The dance theatre piece under the direction of Anja-Katharina Bichler and Philipp Moser deals with various aspects of pressure and in particular with positive as well as negative effects of social pressure in our society.

People are constantly confronted with expectations. Expectations that are placed on us, but also expectations that we have of ourselves. This accompanies us through our everyday life and influences, consciously or unconsciously, our actions and being. Often we have to cross our own boundaries in order to counteract and withstand this pressure.

In the piece "DruckPunkt" a unique approach is chosen. In addition to the dancers of the Urban Dance Crew "Remix", an actor plays the role of the linguistic bridge to the audience.  As a contrast to classical stage dance, urban dance styles such as Breaking, House, Popping, Locking and Social Dances, which were created far away from theatrical stages on the streets of America, are used as stylistic devices. Patrick Gutensohn, a music producer from the Austrian hip hop scene, is part of the team.

Director and Choreographer Anja-Katharina Bichler and Philipp Moser

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